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And, on the other hand, Mellors, the gamekeeper, has his moments of romantic bathos.Yet the characters have a certain heroic dignity, a certain symbolical importance, which enable them to carry off all this.At first, he occupies himself with literature, mixes with the London literary people, and publishes short stories, “clever, rather spiteful, and yet, in some mysterious way, meaningless”; then later, he applies himself feverishly to an attempt to retrieve his coal mines by the application of modern methods: “once you started a sort of research in the field of coal-mining, a study of methods and means, a study of by-products and the chemical possibilities of coal, it was astounding the ingenuity and the almost uncanny cleverness of the modem technical mind, as if really the devil himself had lent a fiend’s wits to the technical scientists of industry.It was far more interesting than art, than literature, poor emotional half-witted stuff, was this technical science of industry.”But Sir Clifford, as a result of his semi-paralytic condition is in the same unhappy situation as the hero of ; and Lady Chatterley, in the meantime, has been carrying on a love affair with the gamekeeper—himself a child of the collieries, but an educated man, who has risen to a lieutenancy during the War, and then, through disillusion and inertia, relapsed into his former status. Constance Chatterley (Marina Hands) is a lovely woman in her mid twenties who is married to Sir Clifford Chatterley (Hippolyte Girardot), a wealthy British nobleman many years her senior who is paralyzed from the waist down due to an injury sustained during World War I. Lawrence's once-scandalous tale of a married woman who finds herself through an affair with another man is brought to the screen in this adaptation directed by Pascale Ferran.

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And then there's the fact that the movie devolves into class struggles in a way that may be too complicated for younger viewers, anyway.There has been an understanding between Sir Clifford and his wife that, since he is unable to give her a child himself, he will accept an illegitimate child as his heir.But Connie has finally reached a point where she feels that she can no longer stand Sir Clifford, with his invalidism, his arid intelligence and his obstinate class consciousness: she has fallen in love with the gamekeeper; and when she finally discovers that she is going to have a child she leaves her husband and demands a divorce.It is not entirely free from his bad habit of nagging and jeering at the characters whom he doesn’t like.Poor Sir Clifford, after all, for example, no matter how disagreeable he may have become, was a man in a most unfortunate situation, for which he was in no way to blame.

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