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“Hallo Dean, it’s David,” came that unmistakable voice on the phone, the voice of Ziggy Stardust, the voice of the Thin White Duke. The following is from a 2009 interview about his son's first movie. I had written for art films by Doug Aitken and others, but I was primarily a journalist.
It was 1999 and I had just bought my first cellphone and now he was talking on it: David Bowie.“Oh, “Ha ha! “Look: I want to talk to you about a movie idea,” he said, and we went on to discuss writing a film treatment together based on "The Man Who Sold The World."See more of Entertainment’s top stories on Facebook David Bowie died Sunday, Jan. The following is from a 2009 interview about his son's first movie. Duncan Jones swears that he never saw the themes of his directorial debut "Moon" intersecting with some of his well-known father's best-known work. We had met over several uproarious, life-affirming interviews while I was an editor at Raygun Magazine in the '90s. Bowie's idea included elements of his original inspiration, Robert Heinlein’s "The Man Who Sold The Moon." As we spoke, I sprinted down the halls of everything I knew and tried to keep up.
Duncan Jones swears that he never saw the themes of his directorial debut "Moon" intersecting with some of his well-known father's best-known work. I had seen him backstage, on buses and video shoots and with his wife, Iman. But the clues for what he wanted from me were there in the shattered, remixed graphic design style born with Raygun. The following is a story on the production of the critically acclaimed album he released days before his death. "I have to go in few minutes," the producer said, speaking from New York. (Sasha Frere-Jones)Bowie wanted, he said, to write a sci-fi-ish film about the nature of matter. A week or so later we were in a little workroom at Isolar, Bowie’s offices on 5th Avenue, just him and me and his longtime girl Friday, Coco Schwab, all of us scribbling notes.
Like several other artists, Bowie had come to us looking to be part of a new aesthetic, a hybrid magazine for the ultimate hybrid artist. He was beautifully dressed and coiffed and always himself, Bowie, but unguarded, spitballing, and making huge leaps across subjects.
The singer liked nothing better than getting up at dawn and walking the streets of the city.
In this exclusive interview from Uncut’s October 1999 issue – which we’ll be posting up in four parts each day this week – David Bowie looks back on 30 years of genius, drugs and derangement.
Many assumed Bowie, worth an estimated £135million, had several houses but for him, his wife Iman and their 15-year-old daughter Alexandria, the 5,300 sq ft penthouse, bought for £2.75million in 1999, was all they needed. He was a true-blue dyed-in-thewool New Yorker.”By his own admission, the Brixton-born musician lived “as a citizen pure and simple” in the city, once telling New York magazine: “I am not a secretive guy but I am quite private.
The doorman at the nondescript apartment block wells up as yet more fans flock to lay flowers and light candles at the makeshift shrine outside. I don’t go for the disguise thing, I’ve never found it necessary, at least not since my real hair colour grew in years ago.
"End of Print" designer David Carson had famously quit Raygun when the publishers rejected his cover featuring Bowie’s neck – just his long, iconic neck – about which Bowie belly-laughed when I was editing his original essay on Yoko Ono, Tony Oursler and Roy Lichtenstein for the book, "Raygun Out Of Control." David Bowie died Sunday, Jan. The following is a story on the production of the critically acclaimed album he released days before his death. "I have to go in few minutes," the producer said, speaking from New York. Although David Bowie was best known for his music, he also made countless contributions to the worlds of art, fashion and film.
But the singer, who died Sunday, was also devoted to literature.