Dating staffordshire dogs

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The new middle classes were eager to emulate their betters by decorating their homes with objects similar to costly Meissen and Chelsea figures, and Staffordshire potters obliged by turning out painted and glazed pottery sheep dogs, cattle and more exotic animals such as zebra and elephants.Figures of gods and goddesses, examples drawn from literature, famous political and military men and above all, representations of royalty, all found homes in England and America.Actors and actresses were portrayed in their most familiar roles.Few Staffordshire figures bear makers marks, although some experts can identify similarities of style that might come from an individual factory (for example, the style of the base may provide a clue).

I don't think there could have been any Staffordshire collectors in the room at the time as I got them rather cheaply.Figures destined for mantelpieces were known as flatbacks, with modelling and painting confined to the areas facing outward.Others were modelled in the round; earlier examples often leaning against a stump or some sort of support to eliminate sagging during the firing process.Cobalt blue is an indicator of the period between 18, and was widely used.After 1865 cobalt blue was no longer in use; and overglaze enamel colours were used exclusively. By the1870's most figures were produced in white, and a less expensive form of gilding was introduced, which was painted on after firing which made it a much cheaper method of production.

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