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Now, to be clear: This image of White isn’t is a messy and anxious record, an album that radiates queasy angry vibes in plenty of directions.
And if you look at it from a certain angle, that’s all it is, a fuck-this-world yawp.
“Three Women” is straight-up Blues Hammer, both in its choogling lope and in its lyrical cocksmanship.
“Just One Drink” aims for Stones and mostly ends up south of Silver Bullet Band.
He had two godfathers—Nigel Havers and the late Richard Griffiths, both actors.” Someone in his band immediately follows that up with a mountain-freakout violin solo, one of many on the album.And if the faster songs benefit from those balls of violin venom, the slower ones gain a lot of power from backing singer Ruby Amanfu and fiddler/singer Lillie Mae Rische, who sounds uncannily like Emmylou Harris and whose mixed-down presence on “Temporary Ground” comes close to overwhelming White’s lead vocal.The instrumental “High Ball Stepper” takes a fired-up stoner-doom riff and makes a tense spaghetti-western score out of it.There’s a moment on “The Black Bat Liquorice” where White, singing about how much he hates the mysterious treat of the title, goes into fervent-yelp mode to say this: “I never liked it! Now let me say the same damn thing with the violin!